Plus, I've seen all your patches on these forums for quite awhile, they seem intermediate, like maybe you still have quite a ways to go before you know the full capabilities of Max or any DSP environment at least in comparison to people like Miller Puckette. i was just asking for your list of projects and i feel inclined to disagree when people say Max can't do something that I've seen done. ![]() and that definitely makes you hypocritical when saying you're trying not to be combative or demeaning. you shouldn't put words in other people's mouths(that's too American, with its quickness to judge and jump to prejudice: I know you're smarter than that. seriously, my words(prior to this post, anyways) don't show any in any literal way(i do get sarcastic, though, in general because that's my personality, i shouldn't have to filter that just because of some notion of conformity that you might have about these forums), but of course you can infer anything you want if you're prone to eccentricity like most of us tech people are, anyways, i don't have a problem with that, either(and i edited the 'sir' because it was too sarcastic, decided i would edit out of respect). Where's the anger? you must be a midwesterner to jump to conclusions about people so quickly. you shouldn't take yourself so seriously, then you won't take the wrong things personally ) My comments are addressed to all in general starting with your quote only as the introduction. (going off of your own words, i would absolutely love for you to prove me wrong and list all the 'programming oriented projects' you've done which would make you an expert on what max can and cannot do(even while the full capabilities of max are too infinite for any one person to know)). so maybe you were unable to come up with something useful for youself because you have the wrong idea about art. Programming IS art(if you're a digital artist, it is definitely part of your art). "I'd rather focus on art for the time being since I've spent so many years obsessing over programming oriented projects." If I see someone saying something I believe is absolutely wrong, I'll point it out. but now you have the info., get to work! it's actually not that hard once you have the DSP already worked out by Miller.) (PD is not that difficult and I can't give you the original Max patch I helped a company with because that's obviously a trade secret. I just did by mentioning implementation of MillerPuckette's Smeck in Max. "I would absolutely love you to prove me wrong and give us all a usable synth patch that we could rip apart for our own purposes." ![]() The advantage that instead of having to load a new set per song, or have a lot of instances of a synth, you simply use the same synths instances for each song and change the presets in play for each song."most of what alluded to" is not about poly~, it's about Miller Puckette having more knowledge than all of us combined and therefore proving that it is a matter of knowledge rather than system capability. When you are ready for song 2, launch scene 2 and all the patches will be teed up. For example, if you use used one scene per song in a live situation, you could launch the scene, then select each track (or set of tracks to arm and layer the synths as the song progressed. You could load up 8 of your favorite synths (or 8 instances of absynth), then use scene launches to tee up the patches per scene. One use case for a live situation is to use a grid controller like a Launchpad or APC 40 to launch the dummy clips to quickly change patches. Of course this technique will work with any VST or hardware synth that can receive a MIDI patch change. You can set a different progam number for each clip. In the example, the clip in focus is set to a value of “Pgm 3” which will select the third preset in the list. In the “Notes” section of the device interface, use the bottom field to set the program number.Create some dummy clips (a clip with no notes) by double clicking in a clip slot for the device holding Absynth.Drag sounds you would like in your preset change list to the “Program List”.If the “On” button is lit, Absynth listens for MIDI program changes. Click “Programs” if it’s not lit in green.To access this feature, click on the “Browser” tab. Click the Browser tab Absynth has a featured called “Program Lists”. ![]() In this article I illustrate how this works with step-by-step instructions on how to to use MIDI program change in Ableton Live to change presets in Native Instruments Absynth. ![]() You can also use it as a list of MIDI program changes. Absynth’s “Program List” is a great way to organize your favorite presets for studio or performance work.
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